It’s an entire world just under your feet, in the vast underground networks that form the urban environment, where people who’ve fallen through the cracks of society vanish from our everyday reality.
Such is the setting of Neil Gaiman’s urban quest fantasy Neverwhere. One of his older novels, it was originally based on a 1996 TV series on BBC Two. It is now a BBC radio series, staring James MacEvoy as Richard Mayhew, Natalie Dormer as Door, and, among others, Christopher Lee as the Earl of Earl’s Court and Benedict Cumberbatch as the Angel Islington. While I have only read the novel, it is a definite sign of the durability of Gaiman’s story that it has seen so many incarnations in diverse media.
Neverwhere is the journey of an Everyman Scotsman name Richard Mayhew, who finds a girl bleeding on the sidewalk. After this encounter, his normal everyday life is ruined as he loses his job, his girlfriend, and indeed his very identity. No one recognizes him in the London of this world (called London Above), and he must find a way to get his life back.
Door, the girl he finds on the sidewalk, is a resident of London Below, an alternate world that exists in the metro systems, sewers, and underground tunnels beneath London Above. Its a world of hobos, aristocrats, rat-speakers, sadistic killers, monsters, and even angels. As Richard quests to find a way out of London Below, since it is impossible to live wholly in both worlds at the same time, he becomes involved in a quest to find who is responsible for the murder of Door’s family.
The villains of Nerewhere are just as memorable as the heroes, if not more so. Mr. Croup is a wordy, fox-like assassin who tears his victims apart with his fingernails and wears a raggedy old suit. Mr. Vandemar is a wolfish sadist who picks his fingernails with a machete and doesn’t like telephones. They are like a darker, but still funny version of your typical Disney villain trio–Don Quixote and Sancho Panza with switchblades. There are other villains in the story, but they are surprises.
I thoroughly enjoyed reading Neverwhere, especially after finishing a semester of university. It’s ideal reading on the metro (or the Tube, if you wish), because there can be no better place to read Neverwhere than in the underground world where it’s supposed to take place. I read most of it myself in the Montreal metro.
Which leads me to wonder. Is there a Montreal Below, as there is a Montreal Above? I guess I just assumed there could be. Perhaps there is.
Gaiman appears to have done some research into the London Underground writing his book. He talks about “ghost stations” like the British Library Station, which was walled-in a long time ago and, needless to say, is closed to commuters. There is quite a lot of history in the underground world. I would doubt that there are ghost stations in Montreal Below, but Montreal could still have an interesting subterranean civilization, if we were to imagine one developing.All the shopping malls in the passages under the city, all crisscrossing each other like a labyrinth, might prove ample room to place a alternate world, similar to the feudal-like society Gaiman imagines in Neverwhere. Promenades de la cathédrale, where engineers built a shopping mall under Christ Church Cathedral, could be a key location in Montreal Below. Perhaps Monk, a station on the Green Line, could have a band of monks similar to the Black Friars we see in his book (a pun on Blackfriars Station). What about the dukedom of Vendôme? The barony of Jarry? La seigneurie de Plamondon? Or what about le marquis de Rosemont as the counterpart of the marquis de Carrabas, a swashbuckling character in London Below? And don’t forget the angel residing at Station St. Michel!
Such a world would be an interesting combination of a British-inspired universe with French Canadian characters and settings. Hopefully, the result of such cultural fusion would end in a little more than a Montreal Below that resides exclusively within the potholes that appear on our roads each spring! Gaiman’s underworld is a world of people who have “fallen through the cracks,” after all.
Ah, we Montrealers take every opportunity to complain about our roads!
To avoid this post becoming like an opinion article in The Gazette, let me say a few words to conclude.
Gaiman is a storyteller extraordinaire. His novel reads almost like a bedtime story, except that it’s for adults (teenagers can get away with it). It’s a brilliant combination that reminded me about the nightmares in his Sandman comics. In fact, I almost felt like I was reading a comic book or a graphic novel at a few points, without the pictures or graphics. If you have not read Neverwhere, and you’re a Gaiman fan, then it’s a novel not to be missed. It was a lot of fun. Take it on your next metro ride through the world Below.