Several years ago, I wrote an experimental short story: the assassination of Julius Caesar told from the perspective of his blood. I’m still quite proud of it, and I thought I’d share it with you here. A nice short story that de-familiarizes the familiar, it was originally published online at the SPACE website, an arts-sciences program based at Dawson College in Montreal, Quebec. They have some pretty amazing arts-science fusion articles, poetry, and lab reports. It’s worth checking out.
“Bloody Caesar” was the name SPACE gave to this story, but my original title was “The Ides of March.” Call it what you will; I’m not great with titles. Call it by both, in fact, if you like the retro double-title thing.
Bloody Caesar; or The Ides of March
Rome’s flowing blood pulses through veins.
Into the heart, out of it, into the heart, out into the fingers.
Thud thud. Thud thud.
Haemoglobin captures oxygen from the lungs, oxygen of the spring air. Blood cells shoot back and forth, get sucked into heart valves and blown out again into an arm, into a leg, into the nose, into the foot. Cells carry carbon dioxide back from the extremities and into the lungs to be exhaled. The heart is relaxed and pushes the blood cells throughout the body, energizing the leg muscles that make the organism walk.
The legs move in a different way, pinching the veins in the calf and heel. Slowly the organism descends stairs and the blood pumps faster. Up into the throat now, and into the head. The blood grows hot. The tongue wags. The oxygen of the Senate’s air enters the blood afresh to cool it, yet the temperature rises. The blood cannot smell the Senate air, but the organism knows where it is: in the heart of an Empire at its height.
Suddenly, the glands emit a torrent of adrenaline as the eyes dart to the side. The heart accelerates, until the rhythm mimics that of galloping horse. Arms loosen and the legs run. Oxygen is blown into the muscles like a hurricane to incinerate glucose and produce energy. But the blood cells feed the muscles like water bearers attempting to fill a pond in the desert. A shadow hangs over the organism. The heart beats at its peak.
Thud thud thud thud.
Rippling sonic waves tear through the blood stream. Almost instantly, a full penetration as a pointed pugio slashes sinew. Hot blood pours from the neck and splashes on cold marble. Blood flows and the coagulation process begins, though there can be no hope to patch the wound.
The organism reels.
A thud in the back and marble stairs pinch the blood flow as the organism reclines. The arm moves forward to block the face as cells feed the gluttonous muscles. Another penetration. A stab. Blood snakes down from the arm and wrists. A ripple of waves ebbs the blood.
Further penetrations mutilate the chest, the shoulders, the abdomen. Blood flows from veins and arteries until it becomes a scarce resource. A few seconds reprieve the wounds, but hold no consolation for the organism.
Another sonic wave moves through the blood. Once again, the cells hear nothing, but the ears hear everything. Et tu, Brute?
A pugio slips through the ribcage and kills the heart as the organism bleeds its last