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Archaeologies of the Weird

Official Author Blog of Matthew Rettino

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      • Building and Fixing Your Causal Chain
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    • How to Write a Fully-Rounded Adventure Story Protagonist
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      • Why Writing the Other is Always Radical (Part II): How the History of Medieval Romance Shows Us Why Representation Matters
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Recent Posts

  • Weird #30: “The Crowd” by Ray Bradbury (1943) February 22, 2021
  • Weird #29: “Mimic” by Donald A. Wollheim (1942) February 15, 2021
  • How to Write a Fully-Rounded Adventure Story Protagonist
  • Weird #13: "The Hell Screen" by Ryūnosuke Akutagawa (1918)
  • Nothing is True; Everything is Permitted: Historical Reality and the Creation of the Myth behind Assassin's Creed
  • Weird #10: "The Hungry Stones" by Rabindranath Tagore (1916)
  • Weird #23: "The Town of Cats'" by Hagiwara Sakutarō (1935)
  • Top 10 Things I Learned While Studying English Literature at McGill University
  • Weird #18: "The Dunwich Horror" by H. P. Lovecraft (1929)
  • Ancestral Memory Point of View Experiment
  • What are the Seven Pillars of Wisdom?
  • Dracula by Bram Stoker
  • My Critters List of the 5 Most Common Weaknesses in Fiction
  • For the Sun
  • Call for Submissions: Scrivener Creative Review
  • Unreliable Narrators and Historical Fantasy

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Art Canada Canadian literature catholicism Charles de Lint conspiracy creative writing Edgar Allan Poe Elizabethan era England English epic fantasy fantasy France Genre Great Britain Guy Gavriel Kay H.P. Lovecraft historical fantasy history horror Italy Jeff VanderMeer JRR Tolkien literary fiction literature McGill McGill University Montreal Myth Neil Gaiman Nineteenth Century poetry popular culture Renaissance science fiction Short Stories supernatural The Fionavar Tapestry The Lord of the Rings The Weird Tigana Tolkien Under Heaven United Kingdom United States urban fantasy war Weird Fiction writing

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