I’m back from attending Can-Con 2018 in Ottawa and figured I’d officially announce that I’ve made my first story sale. Hurrah!
“The Pilgrim’s Yoke” is the story of a pilgrim who seeks the waters of life and is refused. I wrote it as a sort of deconstruction of the hero’s journey, while building on my personal experience of pilgrimage, dissatisfaction, and the indescribable nature of the numinous.
The story appeared in Bards & Sages Quarterly this October.
My short story “In the Ruins of Shambhala” has appeared on 600 Second Saga, a flash fiction audiobook podcast. It’s my first publication outside of a student literary magazine and you can listen to it here! It is narrated by Mariah Avix.
I wrote a first draft of this story while at the Odyssey Writing Workshop in 2016 and presented it at the Odyssey public reading at Barnes and Noble. The idea of the story came to me as a kind of sidetrack while working on my novel, which takes place in a similar, though not identical, milieu. A couple of characters from Michael Ondaatje novels crossed together in my imagination–specifically, the deminer Kirpal Singh from The English Patient and Ananda from Anil’s Ghost–and in my own consciousness, the composite of these two figures became inextricable from the plot of a Lost World story. The setting of my story is based loosely on the Hindu/Buddhist myth of Shambhala–to elevate the drama, I suppose.
I view this story as a commemoration of the men and women who work to preserve cultural heritage sites in dangerous places. A great example of individuals who do just that in real life are the archaeologists at Mes Aynak in Afghanistan, who place themselves at risk daily to preserve the past.
I may not have posted for a while, but I wanted to share this success with as many of my readers and listeners as I can. I have had plans over the last few weeks to give this blog a new start and possibly a re-brand. I’ve had the idea of reviewing short stories as I read through fantasy/weird fiction anthologies, such as the massive volume known as The Weird by Ann and Jeff VanderMeer and the slimmer but no less rewarding The New Voices of Fantasy by Peter S. Beagle and Jacob Weisman. I hope that some of my present responsibilities will free up soon so I can dedicate time for these ambitious projects.
My most recent poem to be published was printed in Read this Dammit!‘s January edition: “Janus: God of the Gateways.” You can pick up a copy on McGill campus in the news racks in the Leacock Building or at the MacLennan Library. I am quite happy that I was able to read it at the Paper’s Edge Coffee House at Burritoville last Friday. I was also able to read scene 1 of my novel, in which I feel quite confident. For your reading pleasure, here it my poem. Sorry if it’s a bit of a let down. It should speak to everyone who has ever raised his or her hopes too far for nothing, whether for a material pleasure or a relationship.
Remember my previous poem “I See You Too?” This one takes a similar but different angle.
Nothing like a good pun to lighten the mood on a Friday evening–or a Monday morning … whenever you happen to read this. Fairly self-explanatory, but I would encourage anyone who takes a peak at this to learn more about the Beat Generation. Ever put some Jack Kerouac in your salad? I hear it’s tasty…
Here are simply a few humorous pictures I drew last semester for The Veg magazine, a McGill student literary magazine (not actually vegetable-themed, but that’s kind of a running joke…) You will recognize that the vegetables are all based on Romantic poets. Worth a laugh, I think. Kinda fits too–weren’t the Romantics nature poets? Now they belong to nature completely. In fact, you can grow them in your garden.
Several years ago, I wrote an experimental short story: the assassination of Julius Caesar told from the perspective of his blood. I’m still quite proud of it, and I thought I’d share it with you here. A nice short story that de-familiarizes the familiar, it was originally published online at the SPACE website, an arts-sciences program based at Dawson College in Montreal, Quebec. They have some pretty amazing arts-science fusion articles, poetry, and lab reports. It’s worth checking out.
“Bloody Caesar” was the name SPACE gave to this story, but my original title was “The Ides of March.” Call it what you will; I’m not great with titles. Call it by both, in fact, if you like the retro double-title thing.
Bloody Caesar; or The Ides of March
Rome’s flowing blood pulses through veins.
Into the heart, out of it, into the heart, out into the fingers.
Thud thud. Thud thud.
Haemoglobin captures oxygen from the lungs, oxygen of the spring air. Blood cells shoot back and forth, get sucked into heart valves and blown out again into an arm, into a leg, into the nose, into the foot. Cells carry carbon dioxide back from the extremities and into the lungs to be exhaled. The heart is relaxed and pushes the blood cells throughout the body, energizing the leg muscles that make the organism walk.
The legs move in a different way, pinching the veins in the calf and heel. Slowly the organism descends stairs and the blood pumps faster. Up into the throat now, and into the head. The blood grows hot. The tongue wags. The oxygen of the Senate’s air enters the blood afresh to cool it, yet the temperature rises. The blood cannot smell the Senate air, but the organism knows where it is: in the heart of an Empire at its height.
Suddenly, the glands emit a torrent of adrenaline as the eyes dart to the side. The heart accelerates, until the rhythm mimics that of galloping horse. Arms loosen and the legs run. Oxygen is blown into the muscles like a hurricane to incinerate glucose and produce energy. But the blood cells feed the muscles like water bearers attempting to fill a pond in the desert. A shadow hangs over the organism. The heart beats at its peak.
Thud thud thud thud.
Rippling sonic waves tear through the blood stream. Almost instantly, a full penetration as a pointed pugio slashes sinew. Hot blood pours from the neck and splashes on cold marble. Blood flows and the coagulation process begins, though there can be no hope to patch the wound.
The organism reels.
A thud in the back and marble stairs pinch the blood flow as the organism reclines. The arm moves forward to block the face as cells feed the gluttonous muscles. Another penetration. A stab. Blood snakes down from the arm and wrists. A ripple of waves ebbs the blood.
Further penetrations mutilate the chest, the shoulders, the abdomen. Blood flows from veins and arteries until it becomes a scarce resource. A few seconds reprieve the wounds, but hold no consolation for the organism.
Another sonic wave moves through the blood. Once again, the cells hear nothing, but the ears hear everything. Et tu, Brute?
A pugio slips through the ribcage and kills the heart as the organism bleeds its last.